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other-romantic-verbs:

Little Leverage Moments - Part 11/?

other-romantic-verbs:

Little Leverage Moments - Part 9/?

meekobits:

"Damn. You’re right!"
"Told you! Perfect shoulder and waist ratio."
((I blame my dash))

meekobits:

"Damn. You’re right!"

"Told you! Perfect shoulder and waist ratio."

((I blame my dash))

And you let him go

barnvs:

"oh no hes hot"

He’s unstable. Erratic.

lesbianregreat:

Singing the Lesbian Blues in 1920s Harlem
Image: Harlem Blues singer Gladys Bentley
As it turns out, the blues world was the perfect realm for people who were thought of as “sexual deviants” to inhabit, as it thrived far outside the scope of the dominant white American culture in the early 20th century. In Jazz Age speakeasies, dive bars, and private parties, blue singers had the freedom to explore alternative sexuality, and on a rare occasion, they even expressed it in song.
“In lyrics, they talk about ‘bulldaggers,’ which is they called butch lesbians at that time, or ‘BD women,’ ‘BD’ being short for bulldaggers,” [documentary maker Robert ] Philipson says. “There were references to being ‘in the life,’ which was understood to mean same-sex activity.”
In 1930’s “The Boy in the Boat,” Ma Rainey’s protégé, Bessie Smith sang, “When you see two women walking hand in hand, just look ‘em over and try to understand: They’ll go to those parties—have the lights down low—only those parties where women can go.” A married woman who kept a female lover on the road with her, Smith is known to have exploded at a girlfriend, “I got twelve women on this show, and I can have one every night if I want it.”

lesbianregreat:

Singing the Lesbian Blues in 1920s Harlem

Image: Harlem Blues singer Gladys Bentley

As it turns out, the blues world was the perfect realm for people who were thought of as “sexual deviants” to inhabit, as it thrived far outside the scope of the dominant white American culture in the early 20th century. In Jazz Age speakeasies, dive bars, and private parties, blue singers had the freedom to explore alternative sexuality, and on a rare occasion, they even expressed it in song.

“In lyrics, they talk about ‘bulldaggers,’ which is they called butch lesbians at that time, or ‘BD women,’ ‘BD’ being short for bulldaggers,” [documentary maker Robert ] Philipson says. “There were references to being ‘in the life,’ which was understood to mean same-sex activity.”

In 1930’s “The Boy in the Boat,” Ma Rainey’s protégé, Bessie Smith sang, “When you see two women walking hand in hand, just look ‘em over and try to understand: They’ll go to those parties—have the lights down low—only those parties where women can go.” A married woman who kept a female lover on the road with her, Smith is known to have exploded at a girlfriend, “I got twelve women on this show, and I can have one every night if I want it.”